"Conspiracy, one is tempted to say, is the poor person's cognitive mapping in the postmodern age; it is the degraded figure of the total logic of late capital, a desperate attempt to represent the latter's system, whose failure is marked by its slippage into sheer theme and content."

- Fredric Jameson, Cognitive Mapping

Adam Curtis begins talking about networks and self-organisation in the second episode of Machines Of Loving Grace [ep1] [ep2], and his claims range from muddled to misinformed and at worst misleading. It's become painful to watch him cherry-pick events and paradigms from different social periods in history, while linking his dubious trajectories with fascinating archive footage.

Take one example: He offers experimental west coast communities of the late sixties as proof that self-organising networks are not an apt model for human society, because they can't deal with the emergence of power. He claims that this vision had flawed egalitarian aims (true). He extrapolates this conclusion to recent global uprisings, effectively saying that all self-organising movements are doomed to failure, because, you know, humans like power, and our belief in self-organising systems is based on misplaced notions of equilibrium (false since about 1970). An equilibrium which we mistakenly believe in as the result of a gross simplification of nature enshrined in computer models (false since about 1970).

Modern science does not tell us that self-organising systems are about steady state equilibrium. It tells us the opposite: that they are complex, and that these complex systems have many (fragile) stable states which break down into chaos easily. He seems to be in denial about the fact that cybernetics was superseded by complexity as a paradigm for understanding non-linear dynamics in the 70s. We can see this in the body of discourse, which the machine will now illustrate for us:

http://tinyurl.com/43lf7za

The intersection of complexity and cybernetics in the 70s reflects the discourse, which affected economics, ecology, and the social sciences. That's 40 years ago, long before any of the uprisings he talks about and at about the time of the experimental communities he depicts. Clearly, economic theory was no longer concerned with steady state solutions by the Clinton era (Episode 1).

In fact, as early as 1925 ecology had begun to explore the fragility of equilibria (Lotka-Volterra's logistic population equations, which break down into multi-stable states through bifurcations at certain points in the parameter space), whilst my own colleagues (Wilson, Batty) were already looking at complexity in human society by the late 70s.

So we know very well that self-organising networks in human society are not a means of creating equality or a steady state stability. Even a cursory understanding of a self-organised network like the web (Barabasi) will show you that node degree distributions fall into power laws, with small numbers of powerful hubs and long tails of less influential nodes. But basing a social critique of self-organisation on this is flawed for anyone but a die-hard Marxist (who believes in an egalitarian society) or an early systems theorist (who believes in a stable society). This does not discredit self-organisation as a way of say, creating a participatory democracy, or creating a global information network, because these projects are not explicitly about creating equality or stability, they are about making society inclusive, making information accessible, and connecting people. These are laudable social goals for a complex age. These projects have an implied emergent order to them, a complex order, not 'stable' in any naive meaning of the term.

What Adam in his retronautical trajectories hasn't grasped is that we are living in an age of complexity, not a failed cybernetic society. It is an 'age' of complexity because we are beginning to digest the paradigm into our popular consciousness, including our social structures. Few people have developed a good critique of complexity (Castells might be trying, figures like Luhmann and more recently De Landa have produced some of the theory), whereas a critique of early systems theory is just far too easy. The social sciences demolished it in the 80s. By contrast, his attack on self-organisation fails because he has no convincing body of social theory to fall back on. Self-organisation is a feature of our complex age, not of a bygone cybernetic utopia. I wonder if he will deal with this in his concluding episode.

In his latest cognitive mapping exercise, Curtis comes across as everything Jameson feared, his map appears to be out to debunk anything that isn't true Marxism as 'unrevolutionary', and quickly descends into either conspiracy or pastiche. Machines are generally cast as a controlling force acting on humanity in ways we can't affect, as we are mere nodes (the tired, reductive discourse of techno-determinism), so it follows that techno-utopians aren't proper revolutionaries. He's then peppered this with some David Harvey lite.

Ultimately the work's distinctive aesthetic (typography, soundtrack, editing) triumphs over its attempts at a coherent argument, confirmation of its "slippage into sheer theme".

Derrida, Ghost Dance (1983).

S Comme Style

"A great stylist is... a creator of syntax". Dialogues: Claire Parnet.

Atmospheres: Györgi Ligeti. Title: Gottfried Wilhelm Leibniz.

Wrecked Sierpinski / collapsed by kp
Plotter drawings / Bill Hinz
Life Drawing / Viktor Timofeev

Title: Deleuze & Guattari

I spent Spring in 17 & 18, was mostly to be found in 15, 31 & 34 during the Summer months and am now moving my activities over to 10 & 13 in time for Autumn. [GMap]

Graça, 7 Things







7 things I saw in Lisboa, 22/06-26/06.

Pencil & grid / Nasreen Mohamedi
Foam / Jorge Barbi
Space / Galeria Ze Dos Bois
Gesture / Manuel Mota & Margarida Garcia
Wordplay / Art & Language

On Air / Jim Ferraro
Violin Alap / Dr. L Subramaniam
SND / Florian Hecker

Title: Jean Baudrillard



Plans / Van Eyck
Fabrication / Driessens & Verstappen
Cubes / Piet Blom

Title: Benoit Mandelbrot.



Interventions: Thomas Demand/Olafur Eliasson.

Title: David Gissen, Subnature [read].

Control Space: Assembled images on urban cybernetics. Title: Norbert Wiener.



(a repetition reduced to two)

Space Syntax

Gerhard Richter: Overpainted Photographs, bound in a book by Hatje Cantz.

stro' phe' nome

stro' phe' nome is a series of graphics produced using a gestural interface. A study of unseen architecture. The work is published as stdio.006.

Piotr Kamler

Piotr Kamler & Bernard Parmegiani, Une Mission Ephemere (1993)

Frei Otto








Minimal paths, pneumatics / Frei Otto
Cantenary Bifurcations / Thomas Wong
Artesanal Voronoi / Seven Six Five
Complex City / Lee Jang Sub
Three 3 / Kat Masback
Vector Fields / Biothing

Moriyama, Dwelling




We attain to dwelling, so it seems, only by means of building. The latter, building, has the former, dwelling, as its goal. Still, not every building is a dwelling.
The Old English and High German word for building, buan, means to dwell. This signifies: to remain, to stay in place. The real meaning of the verb bauen, namely, to dwell, has been lost to us. But a covert trace of it has been preserved in the German word Nachbar, neighbour. The neighbour is in Old English the neahgebur; neah, near, and gebur, dweller.
Building and thinking are, each in their own way, inescapable for dwelling.
Only if we are capable of dwelling, only then can we build.

- Martin Heidegger

Sennett's Corrosion of Character and Heidegger's Building, Dwelling, Thinking interacting on the site of SANAA's Moriyama House, Tokyo, which is arranged as a set of distinct housing components forming a network of compact structures[1][2]. Aside from its modularity (and flexibility) and play on house/garden public/private polarities, I'm drawn in particular to the proportions of the site. How the dimensions of both street and house are strictly related to the human body, despite it being a suburban location, how this kind of scale makes it seem all the more dwellable.

Photographs by Takashi Homma & Iwan Baan, from the books Tokyo and Single Story Urbanism.

Eliane Radigue

A portrait of Eliane Radigue (2009) by Maxime Guitton.

20 ARR, 8 THINGS








Paris with H, 8/04-12/04

drawings / Claude Parent
horizons / Jan Dibbets
volumes / Charles-Édouard Jeanneret
cubes / Sol LeWitt

Microplexes

The full transcript of my first academic seminar is now online: Microplexes. It's housed at urbagram.net, which will be the home of my research into urban systems.

Papilio Dardanus


Papilio Dardanus exhibit phenotypic polymorphism in their variation of wing pattern. The forms can be reproduced mathematically using a variation of Turing's reaction-diffusion model with a particular reaction kinetics (Sekimura et al).

Epithelium

Philip Beesley's talk on living architectures, one of several highlights of mine at Sonic Acts XIII, along with J.P. Sonntag's low frequency standing waves and BJ Nilsen's multi-channel storm in a church.

PSC31

Mark Wilson, PSC31, Digital Inkjet print (2003), @Room 90 V&A

Habitat 67

Habitat pavilion, Montreal Expo '67
OMA Interlace residential complex, singapore

Top: Habitat '67 (Montreal Expo). Bottom: OMA interlace city, Singapore

.snd

Unborn

Music may yet be unborn. Perhaps no music has ever been written or heard. Perhaps the birth of art will take place at the moment in which the last man who is willing to make a living out of art is gone and gone forever.

Charles Ives, Essays before a Sonata (1920)

Ornament & Crime

I reject the argument that ornament increases the pleasures of life of a cultivated person, or that it is beautiful. I prefer undecorated gingerbread. Modern people will understand.

Adolf Loos, Ornament & Crime

Review

In place of hermeneutics, we need an erotics of art.

- Susan Sontag, Against Interpretation

Fatigue

I have confirmed Pascal's observation that imagination tires before Nature.

- Benoit Mandelbrot